Pied Beauty Poem Analysis free essay sample

Hopkins masterfully uses figurative language to convey imagery that leads to the readers appreciation of the mental pictures the poet is attempting to convey. In the poems title, Pied indicates the kind of beauty that Hopkins will praise—multi-colored things, and is defined as having patches of two or more colors, as various birds and other animals:The poems first phrase grabs the reader with a familiar religious line, Glory be to God. This sets the tone for the rest of the poem by praising all of the images Hopkins will present in Pied Beauty. Another central focus of the poem introduced in the first line is diversity, specifically to sensory details that appeal to ones sight, by using the word dappled, which is defined as having spots of a different shade, tone, or color from the background; mottled. Dappled means things that do not conform in color to a background: they stand out. We will write a custom essay sample on Pied Beauty Poem Analysis or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Hopkins sees patterns of color, each divergent from its surroundings. He describes the colors of the sky the colors are presented in a variety of hues or shades. For skies of couple-colour as a brinded cow He compares the skies (using a simile) to a brindled cow (here referred to as brinded), meaning gray or tawny with darker streaks or spots. highlighting multiple colors or shades. Hopkins lists the many things in nature that catch his eye. For rose-moles all in stipple upon trout that swim Hopkins describes role-colored moles or spots in the pattern of stipple—an artistic method using dots or small touches. In essence, nature is art. Next are the colors of autumn trees: this image is brilliantly presented to clearly describe the color change in leaves as the colder weather arrives; and he couples this image with the colors of birds wings: Fresh-firecoal chestnut-falls; finches’ wings The poet also describes the land as it is being farmed or left to grow wild. (It is noted by one source that the land takes on this appearance as man uses it: mans intervention in the natural landscape. ) As the ground is plowed (ploughed), the turned earth is one color. If it is fallow—not being seeded—all that grows are weeds or wild flowers, thus presenting a different color. (Fold refers to the pasture where sheep graze, a third color. ) In these colors and patterns, Hopkins seems to liken the earth to a quilt, with a metaphor: Landscape plotted and pieced The poem concentrates a great deal on nature, but also draws attention to the appearance of men in various trades, and how they look in am array of clothes and tools: gear and tackle and trim. In the second stanza, Hopkins becomes more general, listing the ways things are different: counter, original, spare, strange;Whatever is fickle, freckled With swift, slow; sweet, sour; adazzle, dim Then, the last two lines turn our attention back to God, where Hopkins began. He notes that God is the creator of all these things, and His beauty is beyond change. The poet reminds us, in light of all the beauties of nature, that God should be praised. As a side note, Hopkins particularly uses alliteration to catch our ear:Glory God; couple-colour; Fresh-firecoal, falls, finches; plotted, pieced; fold, fallow; and, trades, tackle, trim. The repetition of these sounds appeals to our auditory sense, drawing our attention to his words in yet another way, and giving the poem a musical sound